·
First shot of protagonist asleep in a bed –
close-up of a phone ringing and the character rolling over to answer it
·
Protagonist bathed in shadow, long shot of him
sitting on the edge of his bed
·
Voiceover: “Alex, they’ve taken her.”
·
Extreme close-up of the handle of a gun
·
Protagonist grabs the gun, focus pulls out
·
Long shot of the character walking out of the
door – fade to black
·
Zooming out from a close-up of sign to a long
shot of the protagonist walking past the New Scotland Yard building with
voiceover
·
“Good morning, everyone. For those of you who
don’t know, I’m Chief Superintendent Adams.”
·
Cut to meeting room – mid shot of new Chief Sup.
Adams as she speaks to her new team of Detective Inspectors
·
Voiceover interspersed with cutscenes to the
group of detectives listening and some fast-editing of a van pulling up on the
pavement next to a small girl
·
“We’ve had an incident this morning. An
eight-year-old girl has been taken from outside her school. Her father is the
new CEO of IBM, so we assume ransom. We’ll be keeping this quiet – it hasn’t
hit the public yet. Shaw, you’re heading this one. Let’s go.”
·
Cut to protagonist and his boss arguing in the
same office later in the day:
·
“Chief, please, give me this case.”
·
“Just stop. You’re a relative. It’s not going to
happen.”
·
“But Chief—”
·
“Listen, it’s in Shaw’s capable hands. Relax.”
·
Cut to a dim long shot of the protagonist and
his brother on a balcony. Protagonist says: “I’ll find her.”
·
Cue fast-paced shots of walking, research,
tensions rising
·
Long shot of protagonist in an alleyway with a
brown envelope
·
Close-up of him pulling a picture from the
envelope
·
Long shot of protagonist finding a group of
people in another alley – a few leave but one, the one in the picture, remains
·
Protagonist says: “I need to know about the
Hudson kid.”
·
“I don’t know anything.”
·
Close-up of the man’s face as protagonist pins
him to the wall, gun-to-head, saying, “Are you sure?”
·
Fade to black
·
Fast-paced editing of long shots, protagonist
running down the road with the alleyway stranger’s voiceover: “There’s got to
be someone on the inside.”
·
Long shot of protagonist bursting into his boss’s
office with picture ‘evidence’: “I think he’s involved.”
·
Close-up of Adams: “You’ve had it in for him
since the start. Give me your badge and go home.”